









double room, exhibition, 2026
Columns for Bladr, feltsliders, wire, 2x2x482 cm
Untitled doorstoppers, doorstoppers, various sizes
Untitled, Stereo recording of sanding down walls, loop 1:35 Min.
For one year I lived directly above Bladr. My floor was the exhibtion room's ceiling. During that time, I imagined numerous exhibitions I could realize below. The transition up the stairs marked a shift: arrangements fabulated as potential works downstairs reappeared upstairs as ordinary tasks.
Double room departs from this vertical proximity to exercise the overlap of living and working—not as a biographical coincidence, but as a structural condition. What appears to be a stable separation is, materially, a concrete slab through which sound, duration, and weight still pass. By activating architectural elements, the show digresses into the awkward dichotomy between work and life - work-life balance.
The exhibition was accompanied by a text by Vinícius Maffei.










double room, exhibition, 2026
Columns for Bladr, feltsliders, wire, 2x2x482 cm
Untitled doorstoppers, doorstoppers, various sizes
Untitled, Stereo recording of sanding down walls, loop 1:35 Min.
For one year I lived directly above Bladr. My floor was the exhibtion room's ceiling. During that time, I imagined numerous exhibitions I could realize below. The transition up the stairs marked a shift: arrangements fabulated as potential works downstairs reappeared upstairs as ordinary tasks.
Double room departs from this vertical proximity to exercise the overlap of living and working—not as a biographical coincidence, but as a structural condition. What appears to be a stable separation is, materially, a concrete slab through which sound, duration, and weight still pass. By activating architectural elements, the show digresses into the awkward dichotomy between work and life - work-life balance.
The exhibition was accompanied by a text by Vinícius Maffei.